Loughborough University Research Publications
Loughborough University
Leicestershire, UK
LE11 3TU
+44 (0)1509 263171
Loughborough University

Loughborough University Research Publications


Publications for Courtney N. Reed

From (year): To (year):

Download all publications as Word document


Journal Articles

Soliński, M, Reed, C, Chew, E (2024) A framework for modeling performers' beat-to-beat heart intervals using music features and Interpretation Maps, Frontiers in Psychology, 15, 1403599, DOI: 10.3389/fpsyg.2024.1403599.

Reed, C, Benito, AL, Caspe, F, McPherson, AP (2024) Shifting ambiguity, collapsing indeterminacy: Designing with data as Baradian apparatus, ACM Transactions on Computer-Human Interaction, 31(6), pp.1-41, ISSN: 1073-0516. DOI: 10.1145/3689043.

Reed, C, Pearce, M, McPherson, A (2024) Auditory imagery ability influences accuracy when singing with altered auditory feedback, Musicae Scientiae, 28(3), pp.478-501, ISSN: 1029-8649. DOI: 10.1177/10298649231223077.

Yang, S, Barthet, M, Reed, C, Chew, E (2023) Do you hear what I hear?, Computer, 56(12), pp.4-6, ISSN: 0018-9162. DOI: 10.1109/mc.2023.3315470.

Yang, S, Reed, C, Chew, E, Barthet, M (2021) Examining emotion perception agreement in live music performance, IEEE Transactions on Affective Computing, 14(2), pp.1442-1460, DOI: 10.1109/taffc.2021.3093787.



Conferences

Sun, X, Tian, Y, Núñez-Pacheco, C, Petreca, B, Prpa, M, Reed, C, Rosén, AP, Stepanova, ER, Vidal, LT (2026) Tensions and opportunities: accessing embodied experience in HCI through micro-phenomenology. In C&C '26: Creativity and Cognition; C&C '26: Proceedings of the 2026 Conference on Creativity and Cognition, London, United Kingdom, pp.25-31, ISBN: 9798400725838. DOI: 10.1145/3803784.3804467.

Fonseca, LR, Albuquerque, T, Albuquerque, A, Reed, C (2026) Listening to Amazônia Verde Viva: Transmorphic Intersections of Ecology and Music Technology in the Global South. In B, G, J, T, A, X, T, M (ed) International Conference on New Interfaces for Musical Expression (NIME), London, United Kingdom. DOI: 10.5281/zenodo.20784271.

Løvaas, E, Reed, C, Strohmeier, P (2026) Towards sensory attenuation as a measure of agency provided by digital musical instruments. In International Conference on New Interfaces for Musical Expression (NIME); Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), London, United Kingdom, pp.1054-1066, DOI: 10.5281/zenodo.20784405.

Reed, C, Ferreira, M, Mendes, M, Galvão-Ferreira, P, Koelle, M, Haynes, AC, Bell, F, Riggs, AT, Vidal, LT, Gouin, M, Rallabandi, V, Cochrane, KA (2026) In-situ seeding: entangling place & technology through sensory data dialogues. In TEI '26: Twentieth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '26: Proceedings of the Twentieth International Conference on Tangible, Embedded, and Embodied Interaction, Chicago, USA, pp.1-18, ISBN: 9798400718687. DOI: 10.1145/3731459.3774489.

Saitis, C, Reed, C, Noel-Hirst, A, Lepri, G, McPherson, A (2025) (De)constructing timbre at NIME: reflecting on technology and aesthetic entanglements in instrument design. In Proceedings of the International Conference on New Interfaces for Musical Expression, 197--206.; Proceedings of the International Conference on New Interfaces for Musical Expression, Canberra, Australia, pp.197-206, DOI: 10.5281/zenodo.15698835.

Yarmand, M, Reed, C, Tandon, U, Hekler, EB, Weibel, N, Wang, AY (2025) Towards dialogic and on-demand metaphors for interdisciplinary reading. In Yamashita, N, Evans, V, Yatani, K, Chetty, X, Ding, US, Lee, B, Chetty, M, Toups-Dugas, P (ed) CHI 2025: CHI Conference on Human Factors in Computing Systems; CHI '25: Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems, Yokohama, Japan, pp.1-19, DOI: 10.1145/3706598.3713698.

Strohmeier, P, Vidal, LT, Vega, G, Reed, C, Mazursky, A, AliAbbasi, E, Tajadura-Jiménez, A, Steimle, J (2025) Sensorimotor devices: coupling sensing and actuation to augment bodily experience. In Yamashita, N, Evans, V, Yatani, K, Ding, XS (ed) CHI EA '25: Extended Abstracts of the CHI Conference on Human Factors in Computing Systems; CHI EA '25 Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems, Yokohama, Japan, pp.1-7, ISBN: 9798400713958. DOI: 10.1145/3706599.3706735.

Bell, F, Cochrane, KA, Haynes, AC, Reed, C, Riggs, AT, Koelle, M, Vidal, LT, Vineetha Rallabandi, L (2025) Sensory data dialogues: a somaesthetic exploration of Bordeaux through five senses. In TEI '25: Nineteenth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '25: Proceedings of the Nineteenth International Conference on Tangible, Embedded, and Embodied Interaction, pp.1-5, ISBN: 9798400711978. DOI: 10.1145/3689050.3708327.

Freire, R and Reed, C (2024) Body Lutherie: co-designing a wearable for vocal performance with a changing body. In International Conference on New Interfaces for Musical Expression (NIME); Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) (Online), Utrecht, Netherlands, pp.117-128, DOI: 10.5281/zenodo.13904800.

Saitis, C, Del Sette, BM, Shier, J, Tian, H, Zheng, S, Skach, S, Reed, C, Ford, C (2024) Timbre tools: Ethnographic perspectives on timbre and sonic cultures in hackathon designs. In Mauro, LALDA (ed) AM '24: Audio Mostly 2024 - Explorations in Sonic Cultures; Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, Milan, Italy, pp.229-244, ISBN: 9798400709685. DOI: 10.1145/3678299.3678322.

Reed, C, Morrison, L, P. McPherson, A, Fierro, D, Tanaka, A (2024) Sonic entanglements with electromyography: between bodies, signals, and representations. In DIS '24: Proceedings of the 2024 ACM Designing Interactive Systems Conference, July 1st - 5th 2024, IT University of Copenhagen, Denmark, pp.2691-2707, DOI: 10.1145/3643834.3661572.

Freire, R, Martinez-Missir, V, Reed, C, Strohmeier, P (2024) RaveNET: connecting people and exploring liminal space through wearable networks in music performance. In TEI '24: Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '24: Proceedings of the Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction, Cork, Ireland,ISBN: 9798400704024. DOI: 10.1145/3623509.3635270.

Rallabandi, V, Haynes, AC, Reed, C, Strohmeier, P (2024) Base and stitch: Evaluating eTextile interfaces from a material-centric view. In TEI '24: Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction; Proceedings of the Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction, Cork, Ireland,ISBN: 9798400704024. DOI: 10.1145/3623509.3633363.

Freire, R, Martinez-Missir, V, Reed, C, Strohmeier, P (2024) Liminal space: a performance with RaveNET. In TEI '24: Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction; Proceedings of the Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction, Cork, Ireland,ISBN: 9798400704024. DOI: 10.1145/3623509.3635337.

Solinski, M, Reed, C, Chew, E (2023) Triangle simplex plots for representing and classifying heart rate variability. In CinC 2023 : Program & Final Papers; Computing in Cardiology,, DOI: 10.22489/CinC.2023.373.

Solinski, M, Reed, C, Chew, E (2023) Time delay stability analysis of pairwise interactions amongst ensemble-listener RR intervals and expressive music features. In Computing in Cardiology, Atlanta, Georgia. DOI: 10.22489/CinC.2023.367.

Bryan-Kinns, N, Banar, B, Ford, C, Reed, C, Zhang, Y, Colton, S, Armitage, J (2023) Exploring XAI for the arts: explaining latent space in generative music. In 1st Workshop on eXplainable AI Approaches for Debugging and Diagnosis; 1st Workshop on eXplainable AI approaches for debugging and diagnosis (XAI4Debugging@NeurIPS2021), Online.

Reed, C, Strohmeier, P, P. McPherson, A (2023) Negotiating experience and communicating information through abstract metaphor. In CHI '23: CHI Conference on Human Factors in Computing Systems; CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, Hamburg, Germany, pp.1-16, ISBN: 9781450394215. DOI: 10.1145/3544548.3580700.

Sabnis, N, Wittchen, D, Vega, G, Reed, C, Strohmeier, P (2023) Tactile symbols with continuous and motion-coupled vibration: an exploration of us in embodied experiences for hermeneutic design. In CHI '23: CHI Conference on Human Factors in Computing Systems; CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, Hamburg, Germany, pp.1-19, ISBN: 9781450394215. DOI: 10.1145/3544548.3581356.

Sabnis, N, Wittchen, D, Reed, C, Pourjafarian, N, Steimle, J, Strohmeier, P (2023) Haptic servos: self-contained vibrotactile rendering system for creating or augmenting material experiences. In CHI '23: CHI Conference on Human Factors in Computing Systems; CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, Hamburg, Germany, pp.1-17, ISBN: 9781450394215. DOI: 10.1145/3544548.3580716.

Wittchen, D, Martinez-Missir, V, Mavali, S, Sabnis, N, Reed, C, Strohmeier, P (2023) Designing interactive shoes for tactile augmented reality. In AHs '23: Augmented Humans Conference; AHs '23: Proceedings of the Augmented Humans International Conference 2023, Glasgow, United Kingdom, pp.1-14, ISBN: 9781450399845. DOI: 10.1145/3582700.3582728.

Haynes, A, Reed, C, Nordmoen, C, Skach, S (2023) Being meaningful: weaving soma-reflective technological mediations into the fabric of daily life. In TEI '23: Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '23: Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction, Warsaw, Poland,ISBN: 9781450399777. DOI: 10.1145/3569009.3571844.

Reed, C and P. McPherson, A (2023) The body as sound: unpacking vocal embodiment through auditory biofeedback. In TEI '23: Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '23: Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction, Warsaw, Poland, pp.1-15, DOI: 10.1145/3569009.3572738.

Reed, C, Nordmoen, C, Martelloni, A, Lepri, G, Robson, N, Zayas-Garin, E, Cotton, K, Mice, L, P. McPherson, A (2022) Exploring experiences with new musical instruments through micro-phenomenology. In NIME 2022; NIME 2022: International Conference on New Interfaces for Musical Expression, Waipapa Taumata Rau, Tamaki Makaurau, Aotearoa (University of Auckland, Auckland, New Zealand). DOI: 10.21428/92fbeb44.b304e4b1.

Reed, C, Skach, S, Strohmeier, P, P. McPherson, A (2022) Singing Knit: soft knit biosensing for augmenting vocal performances. In AHs 2022: Augmented Humans 2022; AHs '22: Proceedings of the Augmented Humans International Conference 2022, Kashiwa, Chiba, Japan, pp.170-183, ISBN: 9781450396325. DOI: 10.1145/3519391.3519412.

Reed, C (2022) Examining embodied sensation and perception in singing. In TEI '22: Sixteenth International Conference on Tangible, Embedded, and Embodied Interaction; Proceedings of the Sixteenth International Conference on Tangible, Embedded, and Embodied Interaction, Daejeon, Republic of Korea. DOI: 10.1145/3490149.3503581.

Reed, C and P. McPherson, A (2021) Surface electromyography for sensing performance intention and musical imagery in vocalists. In TEI '21: Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction; TEI '21: Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction, Salzburg, Austria, pp.1-11, ISBN: 9781450382137. DOI: 10.1145/3430524.3440641.

Reed, C and P. McPherson, A (2020) Surface electromyography for direct vocal control. In Michon, R and Schroeder, F (ed) Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-20), Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom, pp.458-463, DOI: 10.5281/zenodo.4813475.



Chapters

Bryan-Kinns, N, Banar, B, Ford, C, Reed, C, Zhang, Y, Zhang, Y, Armitage, J (2024) Explainable AI and music. In Mou, L (ed) Artificial Intelligence for Art Creation and Understanding, CRC Press (Taylor & Francis Group), pp.1-29, ISBN: 9781003406273. DOI: 10.1201/9781003406273-1.

Bryan-Kinns, N and Reed, C (2023) A guide to evaluating the experience of media and arts technology. In Brooks, AL (ed) Creating Digitally Shifting Boundaries: Arts and Technologies - Contemporary Applications and Concepts, Springer, Cham, pp.267-300, ISBN: 9783031313592. DOI: 10.1007/978-3-031-31360-8_10.



Getting in touch

Research Office
Loughborough University
Loughborough
Leicestershire
LE11 3TU
researchpolicy@lboro.ac.uk
+44 (0)1509 222453